![]() 1 MTV, still primarily music videos, even had a short-lived, dense montage-magazine in 1989 called Buzz, which featured short portentous narrations by Timothy Leary and William S. The Amiga had a good interface to video cassette recorders and rudimentary video editing capabilities San Francisco artist Eleanor Kent used it to create rug-weaving templates. This author first created instructional graphics 1984–1985 on a Sony SMC-70, then in 1986 on a PC using Lumena and a Radio Shack 3000 with EGA card. A video image was translated into a mysterious, mediated black-pepper image, and this aesthetic flowered in Michael Green’s Zen and the Art of the Macintosh ( Green 1986). #YOUTUBE STORYSPACE EASTGAGE SOFTWARE#The launch of the Apple Macintosh in 1984, packaged with 800K disks of its software MacPaint, its 72 dots per inch aesthetic of visible pixel was loosed upon the world. Yet one might first recognize how the games industry and the boom and bust of the mid-1980s developed and dispersed (i.e., from Atari to Apple and Electronic Arts) a lot of ad hoc practitioners that might better be called Cyberpunk. Perhaps there are no exact boundaries between cyberculture and cyberpunk. Enthusiastic books on cyberculture recognize roboticists Survival Research Laboratories and Chico McMurtie, body-modifier Stelarc, innovators in well-equipped garages or laboratories ( Dery 1996). While Cyberpunk science fiction was being written, its accoutrements were being carried into the public consciousness by games, education, and especially artists. ![]()
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